Shirley Temple (2016) is an evocative piece inspired by his 2009 film Trash Humpers. This work reflects Korine’s fascination with the intersection of nostalgia and decay in pop culture artifacts. Korine explores themes of innocence, fame and the commercialization of childhood through the reference to iconic child star Shirley Temple. The artwork blends nostalgic elements with unsettling aspects, prompting viewers to question society’s role in shaping and exploiting youth. Korine’s signature chaotic style employs distorted childhood symbols to critique the impact of celebrity culture on notions of purity.

The piece is characterized by layered textures and vivid contrasts,

creating an ambiguous scene that invites both engagement and discomfort. This duality encourages viewers to confront their interpretations of innocence and the pervasive influence of media. Additionally, recurring characters like “Twitchy”—an ambiguous figure—add a surreal ghost-like presence, linking the artwork back to Korine’s film work and enhancing the sense of dislocation. Ultimately, Shirley Temple

Korine’s practice comment on the role of media in shaping culture, highlighting how time erodes its once-powerful presence while reflecting his distinctive blend of abstraction and playful pop references.