The Adage (2020) is an embroidered work that delves into themes of femininity, trauma, and resilience through vintage linen. Known for her use of textiles that evoke domestic and traditionally “feminine” spaces, Buckman confronts the complexities of womanhood and the societal expectations imposed on women.

In The Adage, Buckman employs embroidery—a delicate technique often linked to traditional female labor—to subvert these associations by embedding themes of personal and collective struggles faced by women. This juxtaposition

underscores the tension between societal ideals of femininity and the realities of women’s lived experiences, addressing issues such as emotional trauma, healing, and empowerment.

By utilizing vintage materials, Buckman connects contemporary women’s struggles with historical narratives of feminine resilience, inviting viewers to question inherited beliefs and roles. Through this work, Buckman emphasizes the strength and complexity of women’s narratives while challenging conventional notions of femininity.